Merry Christmas to all! Hopefully friends, family, food and festivities are on the menu this year as well as a good splattering of photographic presents and opportunities. This year I certainly got more than I bargained for with a new Nikon Df wrapped up under the tree, many thanks Mum and Dad, really appreciate it! It is an incredible little camera that has flagship performance wrapped in a neat retro package. It doesn’t quite mold to the hand like an F5/D3 but with images this good and the ability to see in the dark, all is forgiven. Needless to say Candela will take on a digital presence in the new year. I’ll be adding a digital gallery to the site and expanding the work I do. On top of this, I’ll be based in Adelaide as of 2014. A new city and a bunch of new opportunities, I can’t wait!
And a special thanks to the guys at Camera Electronic who do a fantastic job. Its worth buying local and from people who know their product.
With the removal of Kodak’s E100VS from their line up early this year, Fuji’s Velvia 50 is now my prime choice for reversal film with the only exception being Provia 400X if handheld low light is what I’m after. Is this a bad thing, no of course not. Velvia 50 is fantastic and needs no introduction but there was something about E100VS that made it great for portraits and the warmth of the sub-continent. I’ll be shooting Tmax 100 and Velvia 50 in 35mm over the Christmas break so look out for the results. I’m trying to shoot more people and less landscapes, we’ll see how long that lasts…
Here’s a wide screen crop of one of the last pictures from Newcastle. Nobby’s beach at low tide and at sunrise. Taken in between the rain! Click for a full size preview. I have also added a couple of new frames in the gallery.
At last Nikon has produced a camera that I have wanted them to for years (not quite the F3d I was hoping for but it will do). The new Nikon Df is in principle a FM/FE with the sensor from the D4. Its original film camera styling is perfectly timed to capitalise on the retro wave of cameras hitting the market courtesy of Fujifilm and the original X100. This going back to pure photography (why not just shoot film..?) makes a lot of sense in revitalising digital photography where just about every device now has a camera and web access. There are plenty of sites reviewing pre-production models and Nikon is eager to show off the usual sales pitch. If time and money allowed I’d order one straight away but that will have to wait. This camera will certainly be one to watch closely.
I’ve been away for a while but will be picking up my last roll of E6 from Newcastle and surrounds tomorrow as next year I’ll be pleasantly exploring the Adelaide hills and greater South Australia. More to follow…
I’ve been looking back at all the images I have as well as those which are considered to be ‘iconic’ for events of the 20th and 21st centuries and realised a few important points that will change the way I look for a picture. Firstly there a very few landscapes! Yes its what I have been capturing for the past few years but very few landscape images move you in the way that people pictures can. Be it a candid or a spur of the moment portrait, there’s something about the recognition of a face that the human mind responds to in a very different way. Secondly, there needs to be a story or a moment behind the image. It can be very subtle or world news but it has to be there. Obviously this is different for each person but the effect is the same. What have I learnt? Well, expect more portraits and candids courtesy of Ektachrome if I can find any rolls left.
What started this thought process? A simple picture taken on my iPhone, technically not brilliant, poor lighting and colour but it captures a moment and memory that I’ll now treasure forever. Thankyou.
The kind folks at Adobe have been offering CS2 free for some time now. Whilst everyone’s attention is drawn to the CS6 vs Lightroom vs Aperture argument, this has probably gone unnoticed for many. I have found CS2 has all I really need to fine tune and edit images (it may lack RAW support for new cameras but if you shoot film it doesn’t matter). The biggest mistake I see to days it the over-editing of photo’s and the poor results that follow. Remember, if you couldn’t nail it in camera then there probably wasn’t a shot in it. CS2 is only 340mb and can be downloaded here!
Here is a snapshot of one of the stunning places visited whilst in New Zealand. This iPhone panorama is of Wharariki beach, a beautiful and isolated spot at Cape Farewell, the Northern tip of the South Island. There is only a basic holiday park to stay at when you reach the end of the road and then its another half hour walk through some fields to get down to the beach. But once there the almost endless flat beach stretches across the cove with the impressive archway islands standing tall in front of you. Wildlife was abound with countless species of birds and a group of baby seals playing in the water. A must visit destination that is well worth the long detour. I should have the majority of the film images back next week to share. I must say though, using the iPhone and film camera hand in hand works much better than I had expected. The iPhone is perfect at documenting all the small but memorable moments and if you know its limitations it can create some incredible panoramas. With a spot of Wifi, all can be shared instantly. This simple work flow allowed me concentrate on getting the most out of the film when it counted.
No updates for a while as I am currently in New Zealand’s South Island enjoying the scenery of the West Coast, Fiordland and the Southern Alps. I have both the F5 and 645NII with me and have shot through a couple of rolls already! Stay tuned for some Velvia 50 images when I return…
Having the automation of the F5, SB-28 and AF-D lenses has been great for starting to make the most of flash photography. It’s not an area that I am use to as just about all of the images I have on film are from natural light. This is slowly changing as I use the SB-28 more and more. As I dislike the typical flash look of photos, the F5 is set to slow sync rear to keep the background exposed and the SB-28 gelled warm to match. The above is a great example that I’ll be expanding on and having fun with.
There’s nothing like a fresh set of chromes back from the lab! As promised the 2 rolls of E100VS turned out great and I have already placed some of the images in the gallery. I’ll look at showing some more in due course. It certainly cements my satisfaction with the feel of Ektachrome colours as compared to Velvia. I feel it is best suited for the more photojournalist approach as well as people shots, not just landscapes. Having said this, it’s Back to Velvia 50 for me and my upcoming trip to New Zealand’s South Island.
I have also begun to setup a new website, entirely dedicated to the Nikon F5. This will be in progress for a while yet but something I’ve wanted to do for a while. Stay tuned for updates at nikonf5.net as well as here.